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Narrator

Andrew Eiden

Andrew Eiden

  • AN INSTANT NEW YORK TIMES BESTSELLER

    “Everything I want in a thriller. Sexy, shocking, and tense with an ending I never saw coming. Jeneva Rose is the queen of twists.”—Colleen Hoover, #1 New York Times bestselling author

    The highly anticipated new thriller from the New York Times bestselling author of The Perfect Marriage and One of Us Is Dead

    You’ve opened up your house and your heart to a total stranger … What could possibly go wrong?

    Grace Evans, an overworked New Yorker looking for a total escape from her busy life, books an Airbnb on a ranch in the middle of Wyoming. When she arrives at the idyllic getaway, she’s pleased to find that the owner is a handsome man by the name of Calvin Wells—and he’s eager to introduce her to his easygoing way of life. But there are things Grace discovers that she’s not too pleased about: A lack of cell phone service. A missing woman. And a feeling that something isn’t right with the ranch.

    Despite her uneasiness, the two bond and start to fall for one another. However, as her departure date nears, things change for the worse. What began as a playful romance soon turns into a complicated web of lies. Grace grows wary of Calvin as his infatuation for her seems to have morphed to obsession. Calvin fears that Grace is hiding something from him—including her reason for staying at his ranch to begin with. Vacation flings typically end in heartbreak, but for Grace and Calvin, it’ll be far more destructive.

  • Have you ever read a suspense novel so good you had to stop and think to yourself, “How did the author come up with this idea? Their characters? Is some of this story real?” For over five years, Mark Rubinstein, physician, psychiatrist, and mystery and thriller writer, had the chance to ask the most well-known authors in the field just these kinds of questions in interviews for the Huffington Post.

    Collected here are interviews with forty-seven accomplished authors, including Michael Connelly, Ken Follett, Meg Gardiner, Dennis Lehane, Laura Lippman, and Don Winslow. These are their personal stories in their own words, much of the material never before published. How do these writers’ life experiences color their art? Find out their thoughts, their inspirations, their candid opinions. Learn more about your favorite authors, how they work and who they truly are.

  • Laura: a teenage girl struggling to fit into her small, sleepy town in upstate New York, slowly drifting away from reality and into the secret life she inhabits online. Paul: a twentysomething wannabe rock star, back home from New York City, broke and jobless, living with his mother. April: a math teacher with two kids, running her church’s vacation Bible school, discontent with another summer planning crafts and regurgitating verses. Ben: a boy stuck at VBS, still adjusting to the presence of his foster brother, DeShawn, a quiet, brooding kid from Brooklyn.

    Over the course of one summer, these characters’ paths will collide in surprising, often hilarious ways. Encompassing questions of identity, religion, race, and family, Another Life is an absorbing and thought-provoking debut about the line we all walk between desire and responsibility.

  • “We, the Jury has what most legal thrillers lack—total authenticity, which is spellbinding.” —James Patterson

    On the day before his twenty-first wedding anniversary, David Sullinger buried an ax in his wife’s skull. Now, eight jurors must retire to the deliberation room and decide whether David committed premeditated murder—or whether he was a battered spouse who killed his wife in self-defense.

    Told from the perspective of over a dozen participants in a murder trial, We, the Jury examines how public perception can mask the ghastliest nightmares. As the jurors stagger toward a verdict, they must sift through contradictory testimony from the Sullingers’ children, who disagree on which parent was Satan; sort out conflicting allegations of severe physical abuse, adultery, and incest; and overcome personal animosities and biases that threaten a fair and just verdict. Ultimately, the central figures in We, the Jury must navigate the blurred boundaries between bias and objectivity, fiction and truth.

  • Ryan Shanley prefers to be called Shan. It’s not much, but it helps put some distance between his life during and after serving in the Union army. And he’ll put even more distance between the two once he arrives in the Wyoming Territory, where he has a land grant for two square miles.

    On the stage to Tico, the town nearest his ranch, he meets Sarahlee Gordon. She was only planning to visit Wyoming long enough to sell the cabin she inherited from her uncle. But the attraction between the two becomes obvious on the stage and grows after they arrive.

    Between a blossoming relationship and the rugged territory, Shan realizes that he is not nearly as prepared as he believed himself to be, but he remains determined to build the ranch he dreamed of escaping to while serving on the front lines.