“Last Dance pulled me in and wouldn’t let go. The writing shines like broken glass. The story is fresh, sharp, and haunting.” —Meg Gardiner, Edgar Award–winning author of The Dark Corners of the Night
“In this page-turning follow-up to My Detective, Jeffrey Fleishman again brings us his acute journalist’s eye, lyrical turn of phrase, and talent for creating vivid and believable characters. From the international world of ballet to the grit and gorgeousness of Los Angeles, the plot twists keep surprising to the very end.” —Lindsay Marcott, author of The Producer’s Daughter and Mrs. Rochester’s Ghost
“From the first page My Detective moves as smooth as a bullet train through the shadowy world of night. Its hypnotic prose and scintillating characters guarantee that once you’re on board you’ll be riding this one to the end.” —Michael Connelly, #1 New York Times bestselling author of Dark Sacred Night, on My Detective
“A lyrical crime debut that offers a haunting tête-à-tête between killer and cop … and a chilling reminder that cruelty never dies.” —Brian Freeman, bestselling author of Alter Ego, on My Detective
“Last Dance is a perfect mystery novel—you don’t know who is good and who is bad and maybe you never find out, just like in real life—and Fleishman’s Los Angeles is dark, brutal, and somehow still filled with moments of profound beauty: a song, a ballerina’s perfect line, a memory of better days. You’ll be taken away. And If something bad happens to me, I want Sam Carver on the case.” —Tod Goldberg, New York Times bestselling author of Gangster Nation and Living Dead Girl
“Inside a story of murder, longing, and discovery, Jeffrey Fleishman has gracefully woven a story about American dreams, Cold War fears, and the changing nature of noir’s most hallowed ground—Los Angeles.” —Tom Rosenstiel, author of Oppo and Shining City
“The detective on the case, the LAPD’s Sam Carver, talks a great game, alternating between laconic dialogue and appealingly quotable reflections as he fights off his memories of Dylan Cross.” —Kirkus Reviews